At Anime Expo Lite on Sunday, Disney-owned Lucasfilm revealed the September 22 release date for Star Wars: Visions on Disney+ and Disney+ Hotstar, along with a three-minute preview. Star Wars:
Visions, an animated anthology series, will consist of nine short films, some of which will focus on a fallen Jedi, a princess, Japanese iconography, a “Star Wars rock opera,” a droid who desires to be a Jedi, and Luke and Leia-like twins born to the evil side of the Force.
Given the influence of Japanese samurai films on George Lucas’s Star Wars, it’s only logical that Star Wars: Visions would adopt a Japanese style as well.
The Nine Star Wars: Visions Short Films and The Production Companies Responsible for Them Are Listed Below.
Production IG, “The Duel” (Kamikaze Douga), “The Village Bride” (Kinema Citrus), “Lop and Och” (Geno Studio/Twin Engine), and “The Duel” (Kamikaze Douga) Science Saru, “The Ninth Jedi,” Both “Akakiri” (Science Saru) and “T0-B1” (Studio Colorido) are notable examples of (Twin Engine), Triggers “Tatooine Rhapsody,” “The Twins,” and “The Elder.”
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A Samurai-style astromech droid and Jedi or Sith will star in “The Duel,” a primarily black-and-white film. “The thing [director Takanobu Mizuno] was really clear on was that he just wanted this to be a love letter to Star Wars,” said Star Wars: Visions executive producer James Waugh. This short’s central idea is very reminiscent of a Star Wars tale.
A fallen Jedi is featured in “The Village Bride,” but “not in a way you’d anticipate.” The story is narrated from the perspective of the bride on the eve of her wedding, when she is faced with making a difficult decision that could have a lasting impact on the fate of her people.
Producer Kanako Shirasaki of Star Wars: Visions remarked, “It’s beautiful, introspective, and romantically bittersweet. Also, [‘The Village Bride’] takes a pretty novel and unexpected tack with the Force.
Bunny-person from outer space Star Wars: Visions executive producer Jacqui Lopez describes Lop, the leader of “Lop and Och,” as “absolutely unshakeable in her devotion to good and family and loyalty.” The aesthetic of “Lop and Och” is based on the tension between “natural beauty and creeping industrialization.”
The story of “The Ninth Jedi” is a combination of two different shorts: one in which the daughter of a lightsabersmith searches for the legendary Jedi, and another in which eight warriors learn that they may be sensitive to the Force.
Production IG is also responsible for the anime adaptations of Ghost in the Shell and Kill Bill. The Muza Kawasaki Symphony Hall in Kawasaki was used to record the score for “The Ninth Jedi.”
Astérix sound designer Matsuo Ohno lends his considerable talents to “Akakiri,” a “beautiful yet tragic drama” about a princess. Aside from “Akakiri,” Science Saru has another short called “T0-B1,” which also features the aforementioned Jedi-dreaming droid but is “more heartwarming stuff.”
Star Wars’ “Tatooine Rhapsody” uses the Chibi art style to tell the story of a band’s adventures on Tatooine. Jabba the Hutt and Boba Fett will make appearances. To describe his work on Star Wars:
Visions, executive producer Josh Rimes remarked, “It’s a Star Wars rock opera. We took a chance, and they absolutely blew us away with their unique style, characters, tone, and the essence of what is great about Star Wars: a sense of belonging to a larger family and the pursuit of one’s dreams.
According to Star Wars: Visions co-executive producer Justin Leach, “The Twins” introduces new dark side-twins in an effort to spoof the idea of Luke and Leia and demonstrates “how far the brother will go to defend his sister.” The identicals pilot a Star Destroyer that they built themselves.
The last story, “The Elder,” is an homage to the “traditional Star Wars master and Padawan connection,” as explained by Shirasaki. After viewing the short, “you’ll also discover the dual meaning of the title.”
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Waugh stated at Anime Expo Lite, “We really wanted to give these filmmakers a wide creative berth to explore all the imaginative potential of the Star Wars galaxy via the unique lens of anime.”
“We realised we wanted these to be as true to the studios and creators who are making them as possible, made through their distinctive procedure, in a medium where they are such experts.
So, the plan was, “Here’s how they perceive the Star Wars universe, riffing off all the aspects that inspired them to create a truly remarkable anthology series, unlike anything we’ve seen in the Star Wars universe before.”
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